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Zona Gale
Theatre
Opening moments - dance with the mask pieces.
Another angle of Papa Zeke telling the story of Zink the zebra. Since the stage is a thrust, this shows the difference of the views from center to the edge of the stage. The upper left of the photo also dimly shows one of two large tapestry pieces that hung over the audience members. Production
Notes: This was the first time in years that I designed scenery, lighting and costumes for a single production. While I frequently will do lighting and scenery, I rarely add costuming to the mix, but the costume design for this show was so appealing I just had to do it. A real life story and the inspiration for the Zink the Zebra Foundation, the play revolves around a young girl, Becky, and her battle with leukemia. Alongside her story with her parents, brother, school mates, hospital room mate and nurse is the story of the zebras of the plains of Africa. It is from these zebras,who come to interact with Becky, that she learns about Zink - a zebra with spots. So along with her zebra guides, Becky travels "via her imagination" to Africa to experience their world, including the comic Schlep the monkey (who thinks he is a zebra) and the lion predators that threaten their lives. The design drew heavily upon African influences, from traditional clothing to art works to decorative elements. The large mask that was presented in the opening of the play in a ritual by the zebras and symbolized Zink developed from African art research as well the idea of people using masks. There are masks worn in the medical arena for protection. There are the symbolic masks we wear to hide our fear, anxiety, and sometimes even our love. Together with the director, Stuart Pate, I strove to let the design world evoke the imagination of Becky, a girl infatuated with Africa, facilitate the fluidity of the script, which travels effortlessly from Africa to the "real" world of Becky, and express the symbolic decorative style that permeates African art. |
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